Wednesday 3 May: DAY ONE

Rights to Artistic Freedoms: Understanding barriers and threats

On Day One we will frame the Summit theme and identify its relevance to society, and to the cultural and creative sectors. We will explore different ways in which the notion of artistic freedom can be understood and applied around the world. This will also include an exploration of different perspectives on key concepts, and we will identify challenges and opportunities made manifest by these differences. We will review the existing tools on which we rely to safeguard freedoms of artistic expression and participation in cultural life and assess their (in)adequacy; and we will place the issue of safeguarding artistic freedom in the context of the political, economic, social, technological, environmental and cultural developments that define our age.


Day One Detailed Programme

All morning sessions will be in English and livestreamed. Simultaneous translation in Spanish and French will be provided for sessions in Space A1, A2 and A4.

8.30–9.00
Welcome: Introductions, opening remarks and scene-setting
Location Space A1
Language Simultaneous Translation (ENG/SPA/FRE)
Kajsa Ravin (Sweden)
Director General, Swedish Arts Council
Cecilia Ruthström-Ruin (Sweden)
Sweden’s Ambassador for Human Rights Democracy and the Rule of Law
Karin Svanborg-Sjövall (Sweden)
State Secretary to Minister for Culture
Magdalena Moreno Mujica (Chile/Australia)
Executive Director, IFACCA

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9.00–10.00
In Conversation: Artistic Freedom in an Age of Complexity
Location Space A1
Language Simultaneous Translation (ENG/SPA/FRE)
Format Plenary Session
  • This opening in-conversation session will navigate the current contexts of artistic freedom from the perspectives of two leaders with lived experiences: one is an artist, photojournalist, educator and social activist; the other a human and cultural rights advocate. They will explore how we can develop and share a common understanding of artistic freedom, while offering insights on how threats to artistic freedom evolve and the interdependencies we must consider in our response to such threats.

Speakers
Shahidul Alam (Bangladesh)
Artist, photojournalist, educator and social activist
Alexandra Xanthaki (Greece)
UN Special Rapporteur in the field of cultural rights
Introductions/Framing
Mika Romanus (Sweden)
Director General, Swedish Arts Grants Committee

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10.00–10.45
Morning break
Location M1

10.45–12.15
Plenary Session 1
Provocation and Response: Many Dimensions of Complexity
Location Space A1
Language Simultaneous Translation (ENG/SPA/FRE)
Format Plenary Session
  • While the concept of artistic freedom is generally widely accepted, there continue to be deep contestations about the practical applications and how freedom is understood, exercised and protected. While threats to artistic freedom are influenced by dominant narratives and social systems that often favour those with power, whether in government, law and order, the market or society.

    How do we navigate artistic freedoms when challenges remain around notions of who is an artist and what constitutes art? How do we balance the creative freedoms offered by digital tools in places where political environments threaten the right to freedom of expression? And how do we navigate the complexities, algorithms, and security of our information in cyberspace? What lessons can we learn from Indigenous Peoples who present alternate pathways to assert their identity through arts and culture and knowledge? We will hear four very different provocations on the meaning and complex dimensions of artistic freedom.

Panellists
Deeyah Khan (Norway)
Film director and Founder of Fuuse (pre-recorded video presentation)
LASTESIS Collective (Chile)
Arts collective represented by Daffne Valdés-Vargas
Svetlana Mintcheva (USA)
Independent strategy consultant
Ahmad Naser Sarmast (Afghanistan)
Founder and Director, Afghanistan National Institute of Music
Åsa Simma (Sweden)
Actor, director, dramaturgist and CEO, Sami Theatre
Moderator
Anupama Sekhar (India/UAE)
Director of Policy and Engagement, IFACCA

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12.15–13.45
Lunch
Location M1

13.45–15.15
World Café
Collective Design: The future of artistic freedom
Location Space A1
Language English primarily. Two tables will have simultaneous translation (1 × Spanish/English; 1 × French/English).
  • This World Café is a creative, intimate way for smaller groups within a large gathering to confront issues and consider different perspectives and understandings on the future of artistic freedom. Each group will be presented with an issue in need of future solutions and will discuss how it relates to artistic freedom, emergent trends, and challenges and opportunities. Groups will be asked to create a roadmap to artistic freedom that charts the journey from the current reality to their aspirational future, including a solutions-focused synopsis of the process. The World Café will pose eight themes, each with a presenter who will set the scene:

    1. Towards Robust Legislative and Regulatory Frameworks
    Katarina Renman Claesson (Sweden)
    Legal researcher and lawyer, Swedish Artists’ Association

    2. Ensuring Fairness and Equity Through Effective Public Investment
    Paula Tuovinen (Finland)
    Director, Arts Promotion Finland (Taike)

    3. Preparing for the Digital Future
    Ouafa Belgacem
    (Tunisia)
    Founder and CEO, Culture Funding Watch

    4. Unpacking Censorship, Cancel Culture and Erasure
    Svetlana Mintcheva
    (USA)
    Independent strategy consultant

    5. Prioritising Women’s Rights
    Rupa Subramaniam (Malaysia)
    Creative Director, Storyteller Studio

    6. Placing First Nations’ Knowledge and Systems at the Centre
    Åsa Simma (Sweden)
    Actor, director, dramaturgist and CEO, Sami Theatre

    7. Protecting Cultural Rights for All
    Basma El Husseiny
    (Egypt)
    Founder, Action for Hope

    8. Safeguarding Environmental Sustainability Amid a Climate Crisis
    Alison Tickell
    (UK)
    Founder and CEO, Julie’s Bicycle

Moderator
Patrick Sam (Namibia)
International Consultant, Public Policy Specialist & Broadcast Journalist

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15.30–16.00
Afternoon break
Location M1

16.00–17.30
Participatory Workshops and Panel Sessions
Workshop 1
Understanding Current Tools and Policy Frameworks to Safeguard Artistic Freedom
Location Space A1
Language Simultaneous Translation (ENG/SPA/FRE)
  • Facilitated by two experts, this discussion workshop will explore how policy can be better used as a tool for the protection and promotion of artistic freedom. It will introduce a wide range of factors that can impact on artists’ and cultural workers’ ability to create, produce and distribute work freely, including what constitutes artistic freedom, how it is suppressed, capacity to gather data on violations, and how to monitor, advocate for and protect this right. Workshop participants will explore ideas for potential arts, cultural and creative sector policies and strategies that could meet these challenges, as well as the role state actors can and should have.

Presenters
Ole Reitov (Denmark)
Human rights defender, journalist and independent consultant
Sara Whyatt (UK)
Campaigner and researcher on freedom of artistic expression

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Panel 1
Ensuring Fairer Transnational Collaborations
Location Space A2
Language Simultaneous Translation (ENG/SPA/FRE)
  • The creative processes and products created by artistic collaborations across borders promote creativity as well as intercultural understanding and cultural diplomacy. Nevertheless, there are institutionalised pressure-points within infrastructures ostensibly set up to support transnational collaborations which can undermine and compromise artists’ visions and their ability to achieve meaningful outcomes. From power dynamics created by economic inequality to different political, socio-cultural, and technological contexts and codes, transnational collaborations require sensitivity, understanding and self-awareness for purposeful and reciprocal collaborations to succeed. This panel will explore the characteristics of successful transnational collaborations, and other critical issues including the role of cultural institutions in diplomacy, agency for voices from the developing world, and processes for moving away from dominant or imposed modes to foster, fairer and more equitable exchange.

Panellists
Ammar Kessab (Algeria)
Governance Expert, African Development Bank
Letila Mitchell (Fiji)
Artist, creative director and Culture Advisor, Pacific Community
Odil Mukhamedov (Uzbekistan)
Lead producer, MOC creative association
Trinidad Zaldívar (Chile)
Chief, Creativity & Culture Unit, Knowledge, Innovation & Communications Sector, Inter-American Development Bank
Moderator
Anni Syrjäläinen (Denmark/Finland)
Senior Advisor, The Nordic Culture Fund

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Panel 2
Building the Case from Action to Law
Location Space A4
Language Simultaneous Translation (ENG/SPA/FRE)
  • Different legal mechanisms exist at various levels – such as through international law, regional courts and national legislation – to protect artistic freedom, both in terms of civil and political rights (the freedom of expression approach) and cultural rights (the right to enjoy the arts). However, the effective implementation of these mechanisms is often in question and States frequently fail in their obligations or responsibilities to promote and protect these freedoms. What legislative and regulatory frameworks exist to enable and safeguard freedom of expression? Are they fit for purpose? Do they need to be changed and, if so, how? What role for the role of civil society in promoting the legal protection of artistic freedom?

Panellists
Denise Dora (Brazil)
Regional Director for South America, Article 19
Joshua Msambila (Tanzania)
Lawyer, artist and Founder, Tanzania Artists Rights Organization – TARO
Katarina Renman Claesson (Sweden)
Legal researcher and lawyer, Swedish Artists’ Association
Moderator
Laurence Cuny (France)
Human rights lawyer and researcher

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Panel 3
Democracy and Freedom of Expression: Critical issues for the Nordic region
Location Conference Hall C1
Language Engish
  • The Nordic region is known for its democratic values. However, it now faces significant geopolitical and economic challenges that affect cultural policies, including issues related to freedom of speech and artistic expression, the arm's length principle, and the instrumentalisation of the arts. Cultural policy objectives in Nordic countries prioritise artistic freedom and freedom of expression as integral to the development of a vibrant cultural life and sustainable democracy.

    They also promote cultural rights to ensure everyone can participate in cultural life with creativity, diversity, and artistic expression at the core. However, there are various challenges associated with maintaining artistic freedom in the region. People flee authoritarian countries because they cannot express themselves, while others living in democracies take the opportunity to use artistic freedom for their own undemocratic purposes, as such artistic freedom can be hijacked for purposes entirely different than intended. Is there a baseline for what a democratic society can accept being questioned under the premise of artistic freedom?

Panellists
Haris Agic (Sweden)
Strategist, Democracy and Inclusion, Culture and Leisure Office, Norrköping Municipality
Kristin Danielsen (Norway)
Executive Director, Arts and Culture Norway
Paula Tuovinen (Finland)
Director, Arts Promotion Finland (Taike)
Kim West (Sweden)
Critic, researcher and editor
Moderator
Gitte Ørskou (Sweden)
Director of the Museum of Modern Art, Stockholm

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Workshop 2
Confronting Threats to Artistic Freedom Together
Location Conference Hall C2
Language English
  • The arts often challenge the status quo in politics and can therefore be under threat from the establishment. Artists and artist-led initiatives have often embarked on very sensitive direct action to raise awareness and challenge established narratives. The Swedish artists’ movement KVADRENNALEN (a platform for contemporary art to respond to political threats) will facilitate a collaborative workshop with delegates to discuss the lessons learned from their public sensitisation work in the run-up to 2022 election in Sweden. Starting from KVADRENNALEN’s own experience, the workshop will move to an interactive space to share learnings from different global contexts on how artists have actively responded to political threats to their freedom of artistic expression. Workshop delegates are invited to bring their own experiences and collectively explore how artists and cultural workers can find creative ways of working together to challenge dominant narratives, mobilise support and mutually strengthen each other as dynamic instigators of social change.

Presenters
KVADRENNALEN (Sweden), Art movement
Anna Koch (Sweden) and Thierry Mortier (Belgium/ Sweden)

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Workshop 3
Key Patterns and Trends in Protection Work
Location Conference Hall C3
Language English
  • Writers and creatives are often disproportionately impacted by the during times of repression and this impact lacks sufficient understanding or recognition. The nature of their creative expression, which is often solitary can be controversial and compounds their inability to access networks, professional organisations, and critical humanitarian assistance, particularly when needing to flee for their safety. The workshop will explore the negative aspects as well as the positive aspects of their right to mobility and how to ensure a consistent and coherent approach to artistic expression. Romana Cacchioli will open the workshop highlighting PEN’s experience of providing direct humanitarian relief assistance in Afghanistan; Samay Hamed will share personal reflections on leaving Afghanistan; and Paminder Parbha will talk about the global challenges writers face when fleeing persecution.

Presenters
Romana Cacchioli (UK)
Executive Director, PEN International
Paminder Parbha (UK)
Head of International Programs, PEN International
Samay Hamed (Afghanistan)
Artist and General Director, PEN Afghanistan

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Open Space 1 Day One
Location Conference Hall C4
Language English
Format Open Microphone Discussion
  • The various thoughts, viewpoints and reactions stimulated by Day One sessions may not have been fully heard or shared. This Open Space is a responsive space for delegates to continue the conversation, seek clarity or share learnings on the different contextual understandings of artistic freedom and how they manifest. The space will be facilitated by an experienced moderator to help identify and capture key ideas. Interested delegates can bring their topics to the session. These will also feed into the World Summit reporting.

Moderator
Diane Dodd (UK/Spain)
President of IGCAT (International Institute of Gastronomy, Culture, Arts and Tourism) and Regional Adviser, IFACCA

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Quiet Dialogue Space Day One
Location Conference Room 24-25
  • This is a reflective space to have quiet conversations as topics emerge. It is a space for delegates to reflect on the day’s proceedings either by themselves or in small groups. Normal library etiquette will apply: no loud conversations, no use of any device that may be overheard by or distract others in the space, and no eating or drinking.

No moderation

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19.00–21.00
Day One Cultural Programme
A cultural evening at Moderna Museet exclusive to World Summit delegates
Venue Moderna Museet, Exercisplan 4, 111 49 Stockholm
Website www.modernamuseet.se/stockholm/en/
Transport Buses depart 18.30 from Radisson Blu Waterfront Hotel. Buses depart 21.00 from Moderna Museet to Radisson Blu Waterfront Hotel.

 
The logo of the 9th World Summit on Arts & Culture.